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Blade runner 2049 box office1/2/2023 ![]() To be honest, though, not that many people actually enjoyed Blade Runner in 1982. Much as the old one, the new Blade Runner 2049 is a slow-moving, visually magnificent but also oppressive, highbrow, vaguely Christological ambiguous allegory featuring a star in his prime (Harrison Ford then, Ryan Gosling now) giving a flat performance. If you loved the original Blade Runner, you’ll likely like the new one. ![]() Although set in Los Angeles’ snowy summer of 2049, thirty years after the first movie’s rainy autumn of 2019, it audaciously replicates most of the crowd-displeasing traits of that famous box office flop.ĭenis Villeneuve, the French-Canadian director of Sicario and Arrival, is a competent successor to Sir Ridley Scott. Unfortunately, that means more of the same and less original ideas.Blade Runner 2049 is a remarkably faithful sequel/tribute to the old noir science-fiction cult film. The lesson to be learned from 2049’s box office failure is a familiar one for Hollywood: It’s probably best to avoid spending an absurd amount of money on properties that have proved to not have a mainstream appeal, especially when the movie’s information gap is nearly impossible to bridge. president of domestic distribution Jeff Goldstein told The New York Times. “The real trick now is to expand the audience past older men,” Warner Bros. reported that 71 percent of opening-weekend ticket buyers were male, a fact the studio points to as being most responsible for the flop. The list of less important, but still influencing factors continues: It has the longest run time of any major studio film this year, a fact that became an internet punch line. It’s an artsy, meditative slow burn that once again holds a niche appeal. The money put behind Blade Runner 2049 saddled it with the perception that it was a blockbuster, when the finished product stays true to the original. However, a $200 million budget placed 2049 in the realm of the Star Wars spinoff Rogue One and Star Trek: Beyond, and with that came higher expectations at the box office. Since 1982, the movie has maintained a niche fandom, beloved more by cinephiles than a mainstream audience-nowhere near as popular as Star Wars, or even Star Trek. Perhaps most indicting, though, there was the a misunderstanding of how popular Blade Runner was as a property to begin with. But even that’s unclear from the trailers. For example, that Ryan Gosling’s blade runner, K, is a replicant is revealed within minutes of the film’s start, so it’s not exactly a huge spoiler. That extended to many of the film’s trailers too, which ditched all semblances of a plot for gorgeous frames of Roger Deakins’s cinematography. Critics were given strict guidelines for spoilers in their reviews, meaning even the many pieces of effusive praise for the sequel were vague. In fact, those who made the movie actually went out of their way to keep details about the movie limited. (Maybe “make movies with Emma Stone” should be his strategy.)īut even with stars, 2049 was always going to be a tough sell to a broader audience, even as some trailers marketed it as a blockbuster action movie. ![]() Gosling, meanwhile, has found his best success when he shares the spotlight-think Emma Stone in La La Land, Brad Pitt, Christian Bale, and Steve Carell in The Big Short, or Emma Stone in Crazy, Stupid, Love. You probably didn’t see Morning Glory-and that’s a good thing. Two of his biggest blockbusters of this century, Ender’s Game and Cowboys & Aliens, barely made back their budget. With the exceptions of returning roles in the Star Wars and Indiana Jones franchises (can we all forget The Kingdom of the Crystal Skull even happened though?), Ford hasn’t been a bankable box office winner since the days of Air Force One. On the surprising side, Ford and Gosling’s star power has perhaps been overstated. In all, the movie-which had a whopping budget of $150 million- made only $36 million domestically in its first weekend.įor a movie that seemingly had so much buzz, and that has two very famous leads in Ryan Gosling and Harrison Ford, to pull up so short of predictions, which really weren’t all that high to begin with-for context, a $55 million domestic opening would have been the 12th-biggest opening of 2017-is both surprising and unsurprising. By the time Sunday rolled around, however, Blade Runner 2049 was performing well below those expectations. With a ton of critical praise and hardly any competition, experts prognosticated that the movie would pull in close to $55 million. Heading into this past weekend, Blade Runner 2049, the sequel to Ridley Scott’s pioneering 1982 sci-fi film Blade Runner, was expected to be the box office’s big winner.
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